Artist Jay Shells Turns Classic Rap Lyrics Into Street Signs [PHOTOS]

Street artist and graphic designer Jason “Jay Shells” Shelowitz has been making a name for himself in the art world for his bold images and political statements. With his latest project, Shells is bombing the city using the clever angle of crafting street signs with rap lyrics and placing them at the actual location that inspired the lines.  ANIMAL teamed up with Shells on his journey, and he offered some insight on what inspired him to take on this ambitious work. “A lot of rappers call out their block,” he explained. “When you’re on a corner that’s called out in a song, I think it’s cool to know that.” Shells says late Harlem rapper Big L inspired the first of the signs, using lyrics from the boom-bap classic “Lifestyles Ov Da Poor And Dangerous” affixed on a red sign with bold white letters. Other notables in the project include Kanye West, Jay-Z, KRS-One, Heavy D, Big Daddy Kane, Nas, Jim Jones, and fallen greats such as Heavy D and Guru of Gang Starr fame. In a classy move, late Pro Era rapper Captial Steez also gets a nod. Shells takes some bold measures to get his signs up, even posting one in front of Brooklyn‘s 73rd Precinct in honor of a lyric from M.O.P.‘s Lil Fame and the track “Brownsville.” The artist also humorously defends his art, opting to employ a nerdy voice under the guise of an art student if cops give him any issues.

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via;hiphopwired.com
 
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French Montana Says Max B Will Be On Excuse My French, Will Donate Proceeds To Family

French Montana was a guest on The Breakfast Club this morning shortly after performing at SOB’s in New York City last night. In this interview with DJ Envy, Charlemagne The God and Anglea Yee, French touched on multiple topics including the recent shooting that took place outside of his tour bus in Philadelphia. In addition to shooting down [no pun intended] rumors that he was involved or targeted, he also spoke about his upcoming album, Excuse My French, and the inclusion of Max B.C” I still have some work of his that I haven’t released yet. I’m actually going to be giving his family, like a certain amount of money off of each album that gets sold,” French told Angela Yee of The Breakfast Club. Yee went on to inquire if Jim Jones still had contractual obligations  towards Bigavelli. “I’m not going to use him as far as songs on the album because I don’t know what as far as paperwork. You know Max would just sign anything. Would be like $100,000 he’d say give me that…then there goes half my publishing. So he’d sign anything. So I don’t know where the paperwork was going to come from but, I just got him talking on the intro.”